Untitled is an installation work that deconstructs and seeks to connect the spatial characteristics of the exhibition space, exploring its variable nature as it transitions between past, current, and upcoming states. This is achieved through the methodology of a ‘Construction site.’ The work unfolds through both discourse and practice, labeled as ‘Construction site.’

“I brought in a pile of pallets that were used and discarded in a previous exhibition into the space. Then, I dismantled them all. (…) I marked each separated piece with spray paint, similar to marking timber after felling in the mountains, and stacked them in the center of the space. Finally, I confined them with construction fences.”

“These are the remnants of dismantled pallets. There is no specific object or meaning being referred to. They are merely materials used and discarded from a previous exhibition. The discarded pallets have served some purpose in the past, gone through a certain process, and are now all dismantled and trapped within this fence. Once the exhibition is over, they will be moved somewhere else again. The only thing one can speculate is this process. The work pays attention to this process. The construction fence plays the role of confining all these processes.”

“The construction site is the process itself. It is a space where the past, present, and future overlap. It occupies the space but does not belong to a specific spacetime. It exists in the invisible space, namely the space of specters. The work questions and takes as its source this space called the construction site. The process of dismantling the original forms, spreading them out and observing them, and then these things disappearing again. And the construction fence confines all these processes. Construction (the work) questions when it began, what it is currently doing, and what it will become—it remains unknown.” (Excerpts from the work notes)